Instruments commonly played in choro
Choro (IPA: ['ʃo.ɾu], literally "cry" in Portuguese, meaning "lament"), traditionally called chorinho ("little cry" or "little lament"), is a Brazilian popular music style. Its origins are in 19th century Rio de Janeiro.
Choro instruments
Originally choro was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings). Other instruments commonly played in choro are the mandolin, clarinet, and saxophone. These melody instruments are backed by a rhythm section composed of guitar, 7-string guitar (playing bass lines) and light percussion, such as a pandeiro. The cavaquinho appears sometimes as a melody instrument, other times as part of the rhythm.
Arrangements for piano of famous chorinho works (like "Carinhoso") often appear in e.g. TV shows.
Compositional structure
Structurally, a choro composition usually has three parts, played in a rondo form: AABBACCA, with each section typically in a different key. There are a variety of choros in both major and minor keys.
History
Much of the success of this style of music came from the early days of radio, when bands performed live on the air. By the 1960s, it had all but disappeared, being displaced by Bossa Nova and other styles of Brazilian popular music. However, in the late 1970s there was a successful effort to revitalize the genre, through TV-sponsored nation-wide festivals in 1977 and 1978, which attracted a new, younger generation of musicians. Thanks in great part to these efforts, choro music remains strong in Brazil. More recently, choro has attracted the attention of musicians in the United States, such as Mike Marshall, who have brought this kind of music to a new audience.
Notable Brazilian choro musicians
Notable choro compositions
Suggested Reading
Livingston-Isenhour, T. & Garcia, T.G.C. (2005). Choro: A Social History of a Brazilian Popular Music. Bloomington, Indiana, USA: Indiana University Press.
External links
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