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Ottorino Respighi |
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Ottorino Respighi (Bologna, July 9, 1879 - Rome, April 18, 1936) was an Italian composer, musicologist, pianist, violist and violinist. He is best known for his Roman trilogy and the three suites of Ancient Airs and Dances.
BiographyRespighi was born in Bologna, Italy. He was taught piano and violin by his father, a local piano teacher. He continued studying violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with the early music scholar Luigi Torchi. In 1900, Respighi went to Russia as first violist in the orchestra of the Russian Imperial Theatre in St Petersburg during its season of Italian opera; while there he studied composition for five months with Rimsky-Korsakov. He also had composition lessons with Max Bruch in 1902 in Berlin. Until 1908 his principal activity was as first violin in the Mugellini Quintet, before turning his attention entirely to composition. Respighi moved to Rome in 1913 and lived there for the rest of his life, after being appointed a teacher of composition at the Conservatorio di Santa Cecilia. He married a former pupil, singer Elsa Olivieri-Sangiacomo, in 1919. From 1923 to 1926 he was director of the Conservatorio. In 1925 he collaborated with Sebastiano Arturo Luciani on an elementary textbook entitled Orpheus. Respighi maintained an uneasy relationship with Mussolini's Fascist Party during his later years. He vouched for more outspoken critics such as Arturo Toscanini, allowing them to continue to work under the regime.[1] Feste Romane, the third part of his Roman trilogy, could be seen as a response to the regime's demands to glorify Italy under the Fascists; however, as with much of the work of Shostakovich, the 'celebration' is ambiguous, if not satirical.[citation needed] This spectacular, sometimes showy, work was premiered by Toscanini and the New York Philharmonic Orchestra in 1929; Toscanini recorded the music twice for RCA Victor, first with the Philadelphia Orchestra in 1942 and then with the NBC Symphony Orchestra in 1949, and RCA released both versions, first on LP and then CD. In his role as musicologist, Respighi was also an enthusiastic scholar of Italian music of the 16th-18th centuries. He published editions of the music of Claudio Monteverdi and Antonio Vivaldi, and of Benedetto Marcello's Didone. Because of his devotion to these older figures and their styles of composing, it is tempting to see him as a typical exponent of Neo-classicism. In fact, Neo-Renaissance or Neo-Baroque would probably more accurately describe his compositions that are based on earlier work. Respighi generally kept clear of the musical idiom of the classical period, unlike most neo-classical composers. He preferred combining pre-classical melodic styles and musical forms (like dance suites) with typical late 19th century romantic harmonies and textures. He died in his Roman villa named "I Pini". A year after his burial, his remains were moved to his birthplace Bologna and reinterred at the city's expense. Selected worksRespighi's compositions include:
Selected RecordingsNote: The Roman Trilogy is one of the most ubiquitous works in the catalogue, and has been recorded by all the major world ensembles under many prominent conductors. The recording of the first two with Fritz Reiner and the Chicago Symphony Orchestra is one of the most respected in the catalogue and features prominently in recommended listings in such publications as the Good CD Guide and the Penguin Guide to CDs.
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