| 1 | Awake, put on thy strength | | | | 1685 | | Anthem |
| 2 | Behold, I bring you glad tidings | | | | 1687 | | Anthem |
| 3 | Behold now, praise the Lord | | | | 1680 | | Anthem |
| 4 | Be merciful unto me | | | | 1680 | | Anthem |
| 5 | Blessed are they that fear the Lord | | | | 1688 | | Anthem |
| 6 | Blessed be the Lord my strength | | | | 1678 | | Anthem |
| 7 | Blessed is he that considereth the poor | | | | 1688 | | Anthem |
| 8 | Blessed is he whose unrighteousness | Blessed is he whose unrighteousness is forgiven | | | 1681 | | Anthem |
| 9 | Blessed is the man that feareth the Lord | | | | 1688 | | Anthem |
| 10 | Blow up the trumpet in Sion | | | | 1678 | 7:30 | Anthem |
| 11 | Bow down thine ear, O Lord | | | | 1681 | | Anthem |
| 12 | Give sentence with me, O Lord | | | | 1680 | | Anthem |
| 13 | Hear me, O Lord, and that soon | | | | 1681 | | Anthem |
| 14 | Hear my prayer, O God Z14 | | | | 1681 | | Anthem |
| 15 | Hear my prayer, O Lord Z15 | Psalm 102:1
Hear my prayer, O Lord, and let my crying come unto thee. | | | 1680 | 2:50 | Choral |
| 16 | In thee, O Lord, do I put my trust | | | | 1682 | | Anthem |
| 17 | In the midst of life | | | | 1681 | | Anthem |
| 17a | In The Midst Of Life We Are In Death | Funeral music for Queen Mary | | | | | |
| 18 | It is a good thing to give thanks | | | | 1683 | | Anthem |
| 19 | I was glad when they said unto me | From psalm 122: I Was Glad when they said unto me Let us go up into the House of the Lord. | | | 1685 | 4:00 | Anthem |
| 20 | I will give thanks unto Thee, O Lord | | | | 1683 | | Anthem |
| 21 | I will give thanks unto the Lord | | | | 1681 | | Anthem |
| 22 | I will sing unto the Lord | | | | 1678 | | Anthem |
| 23 | Let God arise | | | | 1678 | | Anthem |
| 24 | Let mine eyes run down with tears | | | | 1682 | 10:00 | Anthem |
| 25 | Lord, how long wilt Thou be angry? | | | | 1681 | | Anthem |
| 26 | rd, who can tell how oft he offendeth? | | | | 1677 | | Anthem |
| 27 | Man That Is Born Of A Woman | Funeral music for Queen Mary | | | 1681 | | Anthem |
| 28 | My beloved spake | | | | 1677 | | Anthem |
| 29 | My heart is fixed, O God | | | | 1683 | | Anthem |
| 30 | My heart is inditing | | | | 1685 | | Anthem |
| 31 | My song shall be alway | | | | 1690 | | Anthem |
| 32 | O consider my adversity | | | | | | Anthem |
| 33 | O give thanks unto the Lord | | | | 1693 | | Anthem |
| 34 | O God, the king of glory | | | | 1678 | | Anthem |
| 35 | O God, thou art my god | | | | 1681 | | Anthem |
| 36 | O God, thou has cast us out | | | | 1681 | | Anthem |
| 37 | O Lord God of hosts | | | | 1681 | | Anthem |
| 38 | O Lord, grant the King a long life | | | | 1685 | | Anthem |
| 39 | O Lord, our governor | | | | 1678 | | Anthem |
| 40 | O Lord, rebuke me not | | | | | | Anthem |
| 41 | O Lord, Thou art my God | | | | 1681 | | Anthem |
| 42 | O praise God in his holiness | | | | 1683 | | Anthem |
| 43 | O praise the Lord, all ye heathen | | | | 1679 | | Anthem |
| 44 | O sing unto the Lord | | | | 1688 | | Anthem |
| 45 | Out of the deep have I called | | | | 1680 | | Anthem |
| 46 | Praise the Lord, O Jerusalem | | | | 1689 | | Anthem |
| 47 | Praise the Lord, O my soul, and all that | Praise the Lord, O my soul, and all that is within me | | | 1683 | | Anthem |
| 48 | Praise the Lord, O my soul, O Lord my God | | | | 1687 | | Anthem |
| 49 | Rejoice in the Lord alway | The Bell Anthem | | | 1685 | | Anthem |
| 50 | Remember not, O Lord, our offences | | | | 1681 | 2:15 | Anthem |
| 51 | Save me, O God | | | | 1680 | | Anthem |
| 52 | Sing unto God | | | | 1687 | | Anthem |
| 53 | The Lord is king, be the people never | The Lord is king, be the people never so impatient | | | | | Anthem |
| 54 | The Lord is King, the earth may be glad | | | | 1688 | | Anthem |
| 55 | The Lord is my light | | | | 1683 | | Anthem |
| 56 | The way of God is an undefiled way | | | | 1694 | | Anthem |
| 57 | They that go down to the sea in ships | | | | 1685 | | Anthem |
| 58 | Thou know'st, Lord, the secrets of our hearts | | | | 1682 | | Anthem |
| 58b | Thou Knowest O Lord The Secrets Of Our Hearts | Funeral music for Queen Mary | | | | | |
| 59 | Thy righteousness, O God, is very high | | | | | | Anthem |
| 60 | Thy way, O God, is holy | | | | 1687 | | Anthem |
| 61 | Thy word is a lantern unto my feet | | | | | | Anthem |
| 62 | Turn thou us, O good Lord | | | | | | Anthem |
| 63 | Unto Thee will I cry | | | | 1683 | | Anthem |
| 64 | Who hath believed our report? | | | | 1680 | | Anthem |
| 65 | Why do the heathen so furiously rage together | | | | | | Anthem |
| 101 | Joy, mirth, triumphs I do defy | | | | | | Song |
| 102 | Domine non est exaltatum cor meum | | | | | | Hymn |
| 103 | Glora Patri et Filio | | | | 1680 | | Canon |
| 104 | Glora Patri et Filio "Canon 3 in 1" | | | | 1680 | | Canon |
| 105 | Glora Patri et Filio "Canon 4 in 1 per arsin" | Canon 4 in 1 per arsin et thesin | | | 1680 | | Canon |
| 106 | Glory be to the Father "Canon 4 in 1" | | | | | | Canon |
| 107 | God is gone up "Canon 7 in 1 at the unison" | | | | | | Canon |
| 108 | Laudate Dominum "Canon 3 in 1" | | | | | | Canon |
| 109 | Misere Mei "Canon 4 in 2" | | | | | | Canon |
| 120 | Chant in A minor | | | | | | |
| 121 | Chant in G major Z121 | | | | | | |
| 122 | Chant in G major Z122 | | | | | | |
| 123 | Chant in D minor | | | | | | |
| 124 | Chant in G major | | | | | | |
| 125 | Burford psalm-tune in G minor | | | | | | |
| 130 | Ah! few and full of sorrow | | | | 1680 | | Hymn |
| 131 | Beati omnes qui timent dominum | | | | 1680 | 4:30 | Song |
| 132 | Early, O Lord, my fainting soul | | | | 1680 | | Hymn |
| 133 | Hear me, O Lord, the great support | | | | 1681 | | Hymn |
| 134 | In guilty night | | | | 1693 | | Hymn |
| 135 | Jehova, quam multi sunt | | | | 1680 | | Hymn |
| 136 | Lord, I can suffer thy rebukes | | | | 1680 | | Hymn |
| 137 | Lord, not to us, but to thy name | | | | 1680 | | Hymn |
| 138 | O all ye people, clap your hands | | | | 1680 | | Anthem |
| 139 | O happy man that fears the Lord | | | | | | Anthem |
| 140 | O, I'm sick of life | | | | 1680 | | Hymn |
| 141 | O Lord our governor | | | | 1680 | | Hymn |
| 142 | Plung'd in the confines of despair | | | | 1680 | | Hymn |
| 143 | Since God, so tender a regard | | | | 1680 | | Anthem |
| 144 | When on my sickbed I languish | | | | 1680 | | Anthem |
| 181 | Awake, and with attention hear | | | | 1688 | | Hymn |
| 182 | Awake, ye dead | | | | 1693 | | Anthem |
| 183 | Begin the song, and strike the living lyre | | | | 1693 | | Hymn |
| 184 | Close thine eyes and sleep secure | | | | 1688 | | Hymn |
| 185 | Full of wrath his threatening breath | | | | | | Hymn |
| 186 | Great God and just | | | | 1688 | | Anthem |
| 187 | Hosanna to the highest | | | | | | Hymn |
| 188 | How have I strayed | | | | 1688 | | Hymn |
| 189 | How long, great God? | | | | 1688 | | Hymn |
| 190 | In the black dismal dungeon of despair | | | | 1688 | | Hymn |
| 191 | Let the night perish | Job's Curse | | | 1688 | | Hymn |
| 192 | Lord, what is man? | | | | 1693 | | Hymn |
| 193 | Now that the sun hath veiled his light | An Evening Hymn on a Ground | | | 1688 | 6:30 | Hymn |
| 195 | Sleep, Adam, sleep and take thy rest | | | | 1693 | | Hymn |
| 196 | Tell me, some pitying angel | The Blessed Virgin's Expostulation | | | 1693 | | Hymn |
| 197 | The earth trembled | | | | 1688 | | Hymn |
| 198 | Thou wakeful shepherd | A Morning Hymn | | | 1688 | | Hymn |
| 199 | We sing to him, whose wisdom form'd the ear | | | | 1688 | | Hymn |
| 200 | With sick and famish'd eyes | | | | 168 | | Hymn |
| 231 | Magnificat and Nunc dimittis in g | For the evening service | G- | | | 6:00 | Mass |
| 232 | Te Deum and Jubilate Deo in D | For the morning service | D+ | | 1694 | 21:00 | Mass |
| 240 | A health to the nut-brown lass | | | | 1685 | | Hymn |
| 241 | An ape, a lion, a fox and an ass | | | | 1686 | | Song |
| 242 | As Roger last night to Jenny lay close | | | | | | Song |
| 243 | Bring the bowl and cool Nantz | | | | 1693 | | Song |
| 244 | Call for the reckoning | | | | | | Song |
| 245 | Come let us drink | | | | | | Song |
| 246 | Come my hearts, play your parts | | | | 1685 | | Song |
| 247 | Down, down with Bacchus | | | | 1693 | | Song |
| 248 | Drink on till night be spent | | | | 1686 | | Song |
| 249 | Full bags, a brisk bottle | | | | 1686 | | Song |
| 250 | God save our sovereign Charles | | | | 1685 | | Song |
| 251 | Great Apollo and Bacchus | | | | | | Song |
| 252 | Here's a health, pray let it pass | | | | | | Song |
| 253 | Here's that will challenge all the fair | Bartholemew Fair | | | 1680 | | Song |
| 254 | He that drinks is immortal | | | | 1686 | | Song |
| 255 | If all be true that I do think | | | | 1689 | | Song |
| 256 | I gave her cakes and I gave her ale | | | | 1690 | | Song |
| 257 | Is Charleroy's siege come too? | | | | 1693 | | Song |
| 258 | Let the grave folks go preach | | | | 1685 | | Song |
| 259 | Let us drink to the blades | | | | 1691 | | Song |
| 260 | My lady's coachman, John | | | | 1688 | | Song |
| 261 | Now England's great council's assembled | | | | 1685 | | Song |
| 262 | Now, now we are met and humours agree | | | | 1688 | | Song |
| 263 | Of all the instruments that are | | | | 1693 | | Song |
| 264 | Once in our lives let us drink to our wives | | | | 1686 | | Song |
| 265 | Once, twice, thrice, I Julia tried | | | | | | Song |
| 266 | One industrious insect | Insecta praecauta, alterius merda | | | | | Song |
| 267 | Pale faces, stand by | | | | 1688 | | Song |
| 268 | Pox on you for a fop | | | | | | Song |
| 269 | Prithee be n't so sad and serious | | | | | | Song |
| 270 | Room for th'express | | | | 1694 | | Song |
| 271 | Since the duke is return's | | | | 1685 | | Song |
| 272 | Since time so kind to us does prove | | | | | | Song |
| 273 | Sir Walter enjoying his damsel | | | | | | Song |
| 274 | Soldier, soldier, take off thy wine | | | | | | Song |
| 275 | Sum up all the delights | | | | 1688 | | Song |
| 276 | The Macedon youth | | | | 1686 | | Song |
| 277 | The miller's daughter riding | | | | 1686 | | Song |
| 278 | The surrender of Limerick | | | | 1691 | | Song |
| 279 | Tis easy to force | | | | 1685 | | Song |
| 280 | Tis too late for a coach | | | | 1686 | | Song |
| 281 | Tis women makes us love | | | | 1685 | | Song |
| 282 | To all lovers of music | | | | 1687 | | Song |
| 283 | To thee, to thee and to a maid | | | | 1685 | | Song |
| 284 | True Englishmen drink a good health | Song with music on the 7 Bishops | | | 1689 | | Song |
| 285 | Under a green elm lies Luke Shepherd's helm | | | | 1686 | | Song |
| 286 | Under this stone lies Gabriel John | | | | 1686 | | Song |
| 287 | When V and I together meet | | | | 1686 | | Song |
| 288 | Who comes there? | | | | 1685 | | Song |
| 289 | Wine in a morning makes us frolic and gay | | | | 1686 | | Song |
| 290 | Would you know how we meet | | | | 1685 | | Song |
| 291 | Young Colin cleaving of a beam | | | | 1691 | | Song |
| 292 | Young John the gard'ner | | | | 1683 | | Song |
| 320 | Arise my Muse | Ode for Queen Mary's birthday | | | 1690 | | Ode |
| 321 | Celebrate this festival | Birthday Ode for Queen Mary | | | 1693 | | Ode |
| 322 | Celesial music did the gods inspire | Ode for Mr Maidwell's School | | | 1689 | | Ode |
| 323 | Come ye sons of art | Birthday Ode for Queen Mary | | | 1694 | 25:30 | Choir |
| 324 | Fly, bold rebellion | Welcome Ode for Charles II | | | 1683 | | Ode |
| 325 | From hardy climes and dangerous toils of war | Ode for the wedding of Prince George of Denmark and Princess Anne | | | 1683 | | Ode |
| 326 | From those serene and rapturous joys | Welcome Song for Charles II | | | 1684 | | Ode |
| 327 | Great parent, hail! | Ode for the Centenary of Trinity College, Dublin | | | 1694 | | Ode |
| 328 | Hail, bright Cecilia! | Ode for St. Cecilia's Day. There are four works with this name. They have Z numbers 328, 329, 334 and 339. They are dated from resp. 1692, 1683, 1685(?) and 1683. Z329 has a latin text, the other three english. | | | 1692 | 50:00 | Ode |
| 329 | Laudate Ceciliam | Ode for St. Cecilia's Day | | | 1683 | | Ode |
| 331 | Love's goddess sure was blind | Birthday Ode for Queen Mary | | | 1692 | | Ode |
| 332 | Now does the glorious day appear | Ode for Queen Mary's birthday | | | 1692 | | Ode |
| 333 | Of old when heroes thought it base | Yorkshire Feast Song | | | 1690 | | Ode |
| 334 | Raise raise the voice | Ode for St Cecilia's Day | | | 1685 | | Ode |
| 335 | Sound the trumpet, beat the drum | Welcome Ode for James II | | | 1687 | 2:30 | Ode |
| 336 | Swifter, Isis, swifter flow | Welcome Song for Charles II | | | 1681 | | Ode |
| 337 | The summer's absence unconcerned we bear | Welcome Song for Charles II | | | 1682 | | Ode |
| 338 | Welcome, welcome glorious morn | Birthday Ode for Queen Mary | | | 1691 | | Ode |
| 339 | Welcome to all the pleasures | This is one of Purcell's four "Ode for St.Cecilia's day". They have Z numbers 328, 329, 334 and 339 and are from resp. 1692, 1683, 1685(?) and 1683. Z329 has a latin text, the other three english. | | | 1683 | 15:00 | Ode |
| 340 | Welcome, viceregent of the mighty king | Welcome Song for Charles II | | | 1680 | | Ode |
| 341 | What, what shall be done in behalf of the man | Welcome Song for the Duke of York | | | 1682 | | Ode |
| 342 | Who can from joy refrain? | Birthday Ode for the Duke of Gloucester | | | 1695 | | Ode |
| 343 | Why, why are all the Muses mute? | Welcome Song for James II | | | 1685 | | Ode |
| 344 | Ye tuneful Muses | Welcome Ode for Charles II | | | 1686 | | Ode |
| 351 | Aaron thus propos'd to Moses | | | | 1688 | | Hymn |
| 352 | Ah! Cruel nymph, you give despair | | | | | | Hymn |
| 353 | Ah! how pleasant 'tis to love | | | | 1688 | | Hymn |
| 354 | Ah! what pains, what racking thoughts | | | | | | Song |
| 355 | Amidst the shades and cool refreshing streams | | | | 1687 | | Song |
| 356 | Amintas, to my grief I see | | | | 1679 | | Song |
| 357 | Amintor, heedless of his flocks | | | | 1681 | | Song |
| 358 | Ask me to love no more | | | | 1694 | | Song |
| 359 | A thousand sev'ral ways I tried | | | | 1684 | | Song |
| 360 | Bacchus is a power divine | | | | | | Song |
| 361 | Beware, poor Shepherds | | | | 1684 | | Song |
| 362 | Cease, anxious world | | | | 1687 | | Song |
| 363 | Cease, O my sad soul | | | | 1678 | | Song |
| 364 | Celia's fond, too long I've loved her | | | | 1694 | | Song |
| 365 | Corinna is divinely fair | | | | 1692 | | Song |
| 367 | Cupid, the slyest rogue alive | | | | 1685 | | Song |
| 368 | Farewell, all joys | | | | 1685 | | Song |
| 369 | Fly swift, ye hours | | | | 1692 | | Song |
| 370 | From silent shades and the Elysian groves | Bess of Bedlam | | | 1683 | | Song |
| 371 | Hears not my Phyllis | | | | 1695 | | Song |
| 372 | He himself courts his own ruin | | | | 1684 | | Song |
| 373 | How delightful's the life of an innocent swai | | | | | | Song |
| 374 | How I sigh when I think of the charms | | | | 1681 | | Song |
| 375 | I came, I saw, and was undone | | | | | | Song |
| 376 | I envy not a monarch's fate | | | | 1693 | | Song |
| 377 | I fain would be free | | | | | | Song |
| 378 | If grief has any power to kill | | | | 1685 | | Song |
| 379 | If Music Be the Food of Love | | | | 1692 | 2:00 | Hymn |
| 380 | If prayers and tears | on the death of Charles II | | | | | Song |
| 381 | I lov'd fair Celia | | | | | | Song |
| 382 | I love and I must | | | | | | Song |
| 383 | Incassum Lesbia, incassum rogas | Funeral music for Queen Mary | | | 1695 | | |
| 384 | In Cloris all soft charms | | | | 1684 | | Song |
| 385 | In vain we dissemble | | | | 1685 | | Song |
| 386 | I resolve against cringing | | | | 1679 | | Song |
| 387 | I saw that you were grown so high | | | | 1678 | | Song |
| 388 | I take no pleasure in the sun's bright beams | | | | 1681 | | Song |
| 389 | Leave these useless arts in loving | | | | | | Song |
| 390 | Let each gallant heart | | | | 1683 | | Song |
| 391 | Let formal lovers still pursue | | | | 1687 | | Song |
| 392 | Love arms himself in Celia's eyes | | | | | | Song |
| 393 | Love is now become a trade | | | | 1685 | | Song |
| 394 | Lovely Albina's come ashore | | | | | | Song |
| 395 | Love's power in my heart shall find no compli | | | | 1688 | | Song |
| 396 | Love, thou canst hear, tho' thou art blind | | | | 1695 | | Song |
| 397 | More love or more disdain I crave | | | | 1678 | | Song |
| 399 | My heart, wherever you appear | | | | 1685 | | Song |
| 400 | Not all my torments can your pity move | | | | | | Song |
| 401 | No watch, dear Celia, just is found | | | | 1693 | | Song |
| 402 | O! fair Cedaria, hide those eyes | | | | | | Song |
| 403 | O! how happy's he | | | | 1690 | | Song |
| 404 | Olinda in the shades unseen | | | | | | Song |
| 405 | On the brow of Richmond Hill | | | | 1692 | | Song |
| 406 | O solitude, my sweetest choice | | | | 1687 | | Song |
| 407 | Pastora's beauties when unblown | | | | 1681 | | Song |
| 408 | Phyllis, I can ne'er forgive it | | | | 1688 | | Song |
| 409 | Phillis, talk no more of passion | | | | 1685 | | Song |
| 410 | Pious Celinda goes to prayers | | | | 1695 | | Song |
| 411 | Rashly I swore I would disown | | | | 1683 | | Song |
| 412 | Sawney is a bonny lad | | | | 1694 | | Song |
| 413 | She loves and she confesses too | | | | 1683 | | Song |
| 414 | She that would gain a faithful lover | | | | 1695 | | Song |
| 415 | She who my poor heart possesses | | | | 1683 | | Song |
| 416 | Since one poor view has drawn my heart | | | | 1681 | | Song |
| 417 | Spite of the godhead, pow'rful love | | | | 1687 | | Song |
| 418 | Sweet, be no longer sad | | | | 1678 | | Song |
| 420 | Sylvia, now your scorn give over | | | | 1688 | | Song |
| 421 | The fatal hour comes on apace | | | | | | Song |
| 422 | They say you're angry | | | | 1685 | | Song |
| 423 | This poet sings the Trojan wars | Anacreon's Defeat | | | 1688 | | Song |
| 424 | Through mournful shades and solitary groves | | | | 1684 | | Song |
| 425 | Turn then thine eyes | solo version of duet in The Fairy Queen | | | | | Song |
| 426 | Urge me no more | | | | | | Song |
| 427 | We now, my Thyrsis, never find | | | | 1693 | | Song |
| 428 | What a sad fate is mine | | | | | | Song |
| 429 | What can we poor females do? (solo) | | | | 1694 | | Song |
| 430 | When first Amintas sued for a kiss | | | | 1687 | | Song |
| 431 | When first my shepherdess and I | | | | 1687 | | Song |
| 432 | When her languishing eyes said 'love' | | | | 1681 | | Song |
| 433 | When I a lover pale do see | | | | 1678 | | Song |
| 434 | When my Aemelia smiles | | | | | | Song |
| 435 | When Strephon found his passion vain | | | | 1683 | | Song |
| 436 | When Thyrsis did the splendid eye | | | | 1675 | | Song |
| 437 | While Thyrsis, wrapt in downy sleep | | | | 1685 | | Song |
| 438 | Whilst Cynthia sung, all angry winds lay stil | | | | 1686 | | Song |
| 440 | Who but a slave can well express | | | | | | Song |
| 441 | Who can behold Florella's charms? | | | | 1695 | | Song |
| 442 | Why so serious, why so grave? | | | | | | Song |
| 443 | Ye happy swains, whose nymphs are kind | | | | 1685 | | Song |
| 444 | Stript of their green our groves appear | | | | 1692 | | Song |
| 461 | Beneath a dark and melancholy grove | | | | | | Song |
| 462 | Draw near, you lovers | | | | | | Song |
| 463 | Farewell, ye rocks | | | | 1685 | | Song |
| 464 | Gently shepherds, you that know | on the death of John Playford | | | 1687 | | Song |
| 465 | High on a throne of glitt'ring ore | | | | 1690 | | Song |
| 466 | Let us, kind Lesbia, give away | | | | 1684 | | Song |
| 467 | Musing on cares of human fate | | | | 1685 | | Song |
| 468 | No, to what purpose should I speak | | | | | | Song |
| 469 | Scarce had the rising sun appear'd | | | | 1679 | | Song |
| 470 | See how the fading glories of the year | | | | 1689 | | Song |
| 471 | Since the pox or the plague | | | | 1679 | | Song |
| 472 | What hope for us remains now he is gone? | | | | 1679 | | Song |
| 473 | Young Thyrsis' fate, ye hills and groves, dep | | | | | | Song |
| 482 | Alas, how barbarous we are | | | | | | Song |
| 483 | Come, dear companions of th'Arcadian fields | | | | 1686 | | Song |
| 484 | Come, lay by all care | | | | 1685 | | Song |
| 485 | Dulcibella, when e'er I sue for a kiss | | | | 1694 | | Song |
| 486 | Fair Cloe, my breast so alarms | | | | 1692 | | Song |
| 487 | Fill the bowl with rosy wine | | | | 1687 | | Song |
| 489 | Go tell Amynta, gentle swain | | | | | | Song |
| 490 | Haste, gentle Charon | | | | | | Song |
| 491 | Has yet your breast no pity learn'd? | | | | 1688 | | Song |
| 492 | Hence, fon deceiver | | | | 1687 | | Song |
| 493 | Here's to thee, Dick | | | | 1688 | | Song |
| 494 | How great are the blessings | How great are the blessings 'A Health to King James' | | | 1686 | | Song |
| 495 | How sweet is the air and refreshing | | | | 1687 | | Song |
| 496 | In all our Cynthia's shining sphere | | | | | | Song |
| 497 | In some kind dream | | | | 1687 | | Song |
| 498 | I saw fair Cloris all alone | | | | 1686 | | Song |
| 499 | I spy Celia, Celia eyes me | | | | | | Song |
| 500 | Julia, your unjust disdain | | | | | | Song |
| 501 | Let Hector, Achilles and each brave commander | | | | 1689 | | Song |
| 502 | Lost is my quiet forever | | | | 1691 | | Song |
| 503 | Nestor, who did to thrice man's age attain | | | | 1689 | | Song |
| 504 | O dive custos Auriacae domus | An Elegy upon the Death of Queen Mary | | | 1695 | 7:00 | Song |
| 505 | Oft am I by the women told | | | | 1687 | | Song |
| 506 | Oh! what a scene does entertain my sight | | | | | | Song |
| 507 | Saccharissa's grown old | | | | 1686 | | Song |
| 508 | See where she sits | | | | | | Song |
| 509 | Sit down, my dear Sylvia | | | | 1685 | | Song |
| 510 | Soft notes and gently raised | A Serenading Song | | | 1685 | | Song |
| 511 | Sylvia, thou brighter eye of night | | | | | | Song |
| 512 | Sylvia, 'tis true you're fair | | | | 1686 | | Song |
| 513 | There never was so wretched lover as I | | | | | | Song |
| 514 | Though my mistress be fair | | | | 1685 | | Song |
| 515 | Trip it, trip it in a ring | | | | | 0:45 | Song |
| 516 | Underneath this myrtle shade | | | | 1692 | | Song |
| 517 | Were I to choose the greatest bliss | | | | 1689 | | Song |
| 518 | What can we poor females do? | | | | | | Song |
| 519 | When gay Philander left the plain | | | | 1684 | | Song |
| 520 | When, lovely Phyllis, thou art kind | | | | 1685 | | Song |
| 521 | When Myra sings | | | | 1695 | | Song |
| 522 | When Teucer from his father fled | | | | 1686 | | Song |
| 523 | While bolts and bars my days control | | | | | | Song |
| 524 | While you for me alone had charms | | | | | | Song |
| 525 | Why, my Daphne, why complaining? | A Dialogue between Thirsis and Daphne | | | 1691 | | Song |
| 541 | Hark Damon, hark | | | | | | Song |
| 542 | Hark how the wild musicians sing | | | | | | Song |
| 543 | How pleasant is this flowery plain | | | | 1688 | | Song |
| 544 | If ever I more riches did desire | | | | | | Song |
| 545 | In a deep vision's intellectual scene | The Complaint | | | | | Song |
| 546 | Tis wine was made to rule the day | | | | | | Song |
| 547 | We reap all the pleasures | | | | | | Song |
| 570 | Abdelazar | | | | 1695 | | Incidental music |
| 571 | A Fool's Preferment | The Three Dukes of Dunstable | | | 1688 | | Incidental music |
| 572 | Amphitryon | The Two Sosias | | | 1690 | | Incidental music |
| 573 | Aureng-Zebe | The Great Mogul | | | 1692 | | Incidental music |
| 574 | Bonduca (The British Heroine) | Includes a Trumpet tune | D+ | | | | Incidental music |
| 575 | Circe | | | | 1690 | | Incidental music |
| 576 | Cleomenes, the Spartan Hero | | | | 1692 | | Incidental music |
| 577 | Distressed Innocence | The Princess of Persia | | | 1694 | | Incidental music |
| 578 | Don Quixote | | | | 1695 | | Incidental music |
| 579 | Epsom Wells | | | | 1693 | | Incidental music |
| 580 | Henry the Second, King of England | | | | 1692 | | Incidental music |
| 581 | The History of King Richard the Second | The Sicilian Usurper | | | 1681 | | Incidental music |
| 582 | Love Triumphant | Nature Will Prevail | | | 1693 | | Incidental music |
| 583 | Oedipus | | | | 1692 | | Incidental music |
| 584 | Oroonoko | | | | 1695 | | Incidental music |
| 585 | Pausanius, the Betrayer of his Country | | | | 1695 | | Incidental music |
| 586 | Regulus | The Faction of Carthage | | | 1692 | | Incidental music |
| 587 | Rule a Wife and Have a Wife | | | | 1693 | | Incidental music |
| 588 | Sir Anthony Love | The Rambling Lady | | | 1690 | | Incidental music |
| 589 | Sir Barnaby Whigg | No Wit Like a Woman's | | | 1681 | | Incidental music |
| 590 | Sophonisba | Hannibal's Overthrow | | | 1685 | | Incidental music |
| 591 | The Canterbury Guests | A Bargain Broken | | | 1694 | | Incidental music |
| 592 | The Double Dealer | | | | 1693 | | Incidental music |
| 594 | The English Lawyer | | | | 1685 | | Incidental music |
| 595 | The Fatal Marriage | The Innocent Adultery | | | 1694 | | Incidental music |
| 596 | The Female Virtuosos | after Molière: 'Les Femmes savantes' | | | 1693 | | Incidental music |
| 597 | The Gordian Knot Unty'd | | | | 1691 | | Incidental music |
| 598 | The Indian Emperor | The Conquest of Mexico | | | 1691 | | Incidental music |
| 599 | The Knight of Malta | | | | 1691 | | Incidental music |
| 600 | The Libertine | The Libertine Destroyed | | | 1692 | | Incidental music |
| 601 | The Maid's Last Prayer | Any Rather Than Fail | | | 1693 | | Incidental music |
| 602 | The Marriage-hater Match'd | | | | 1692 | | Incidental music |
| 603 | The Married Beau | The Curious Impertinent | | | 1694 | | Incidental music |
| 604 | The Massacre of Paris | | | | 1690 | | Incidental music |
| 605 | The Mock Marriage | | | | 1695 | | Incidental music |
| 606 | Theodosius | The Force of Love | | | 1680 | | Incidental music |
| 607 | The Old Bachelor | | | | 1691 | | Incidental music |
| 608 | The Richmond Heiress | A Woman Once in the Right | | | 1693 | | Incidental music |
| 609 | The Rival Sisters | The Violence of Love | | | 1695 | | Incidental music |
| 610 | The Spanish Friar | The Double Discovery | | | 1695 | | Incidental music |
| 611 | The Virtuous Wife | Good Luck at Last | | | 1694 | | Incidental music |
| 612 | The Wives' Excuse | Cuckolds Make Themselves | | | 1691 | | Incidental music |
| 613 | Tyrannic Love | The Royal Martyr | | | 1694 | | Incidental music |
| 626 | Dido and Aeneas | | | | 1689 | 1:00:00 | Opera |
| 627 | Prophetess | The History of Dioclesian | | | | | Opera |
| 628 | King Arthur | or: The British Worthy. Semi-opera. | | | | | Opera |
| 629 | The Fairy Queen | | | | 1689 | | Opera |
| 630 | The Indian Queen | | | | 1695 | | Opera |
| 631 | The Tempest | The enchanted Island | | | 1695 | | Opera |
| 632 | Timon of Athens | | | | 1694 | | Opera |
| 641 | Air in G major | | | | | | Aria |
| 642 | Almand and Corant in A minor | | | | | | |
| 644 | Corant in G major | | | | | | |
| 645 | Ground on Gamut in G major | | | | | | |
| 646 | A New Irish Tune in G major | | | | 1687 | | |
| 647 | March in C major Z647 | | | | 1687 | | March |
| 648 | March in C major Z648 | | | | 1687 | | March |
| 649 | Minuet in A minor Z649 | | | | 1687 | | Menuet |
| 650 | Minuet in A minor Z650 | | | | 1687 | | Menuet |
| 651 | Minuet in G major | | | | | | |
| 652 | Prelude in A minor | | | | | | Prelude |
| 653 | Rigadoon in C major | | | | 1687 | | |
| 654 | Saraband in A minor | | | | | | |
| 655 | A New Scotch Tune in G major | | | | 1687 | | |
| 656 | Sefauchi's Farewell in D minor | | | | 1687 | | |
| 660 | Suite for Harpsichord No. 1 in G major Z660 | | | hsc | | 3:30 | Suite |
| 661 | Suite for Harpsichord No. 2 in G minor Z661 | | | hsc | | 11:30 | Suite |
| 662 | Suite for Harpsichord No. 3 in G major Z662 | | | hsc | | 6:00 | Suite |
| 663 | Suite for Harpsichord No. 4 in A minor Z663 | | | hsc | | 6:30 | Suite |
| 665 | Suite for Harpsichord in C major Z665 | | | hsc | | 3:30 | Suite |
| 666 | Suite for Harpsichord No. 5 in D minor Z666 | | | hsc | | 6:00 | Suite |
| 667 | Suite for Harpsichord No. 6 in D major Z667 | | | hsc | | 5:00 | Suite |
| 668 | Suite for Harpsichord No. 7 in D minor Z668 | | | hsc | | 6:30 | Suite |
| 669 | Suite for Harpsichord No. 8 in F major Z669 | | | hsc | | 6:30 | Suite |
| 678 | Trumpet Tune "Cibell" | ZT678. | C+ | tru | | | |
| 716 | Verse in F major | | | | | | |
| 717 | Voluntary in C major | | | | | | |
| 718 | Voluntary in D minor Z718 | | | | | | |
| 719 | Voluntary in D minor Z719 | | | | | | |
| 720 | Voluntary in G major | | | | | | |
| 721 | Voluntary in A major on the 100th Psalm | | | | | | |
| 730 | Chaconny in G minor | | | cha | | 8:00 | Chaconne |
| 731 | Fantasy upon a Ground in D major/F major | | | | 1680 | | Fantasy |
| 732 | Fantasy in D minor Z732 | | | | 1680 | | Fantasy |
| 733 | Fantasy in F major Z733 | | | | 1680 | | Fantasy |
| 734 | Fantasy in G minor Z734 | | | | 1680 | | Fantasy |
| 735 | Fantasy in G minor Z735 | | | | 1680 | | Fantasy |
| 736 | Fantasy in B flat major | | | | 1680 | | Fantasy |
| 737 | Fantasy in F major Z737 | | | | 1680 | | Fantasy |
| 738 | Fantasy in C minor | | | | 1680 | | Fantasy |
| 739 | Fantasy in D minor Z739 | | | | 1680 | | Fantasy |
| 740 | Fantasy in A minor | | | | 1680 | | Fantasy |
| 741 | Fantasy in E minor | | | | 1680 | | Fantasy |
| 742 | Fantasy in G major | | | | 1680 | | Fantasy |
| 743 | Fantasy in D minor | | | | 1680 | | Fantasy |
| 745 | Fantasy upon One Note in F major | | | | 1680 | | Fantasy |
| 746 | In Nomine in G minor | | | | 1680 | | Fantasy |
| 747 | In Nomine, Dorian, in G minor | | | | 1680 | | Fantasy |
| 748 | Pavan in A major | | | | 1680 | | Fantasy |
| 749 | Pavan in A minor | | | | 1680 | | Fantasy |
| 750 | Pavan in B flat major | | | | 1680 | | Fantasy |
| 751 | Pavan in G minor | | | | 1680 | | Fantasy |
| 770 | Overture in D minor | | | | 1680 | | Fantasy |
| 771 | Overture in G minor | | | | 1680 | | Fantasy |
| 780 | Trio Sonata in G minor Z780 | | | | 1680 | | Sonata |
| 790 | Trion Sonata in G major Z790 | | | | 1680 | | Sonata |
| 791 | Trio Sonata in B flat major | | | | 1680 | | Sonata |
| 792 | Trio Sonata in D minor | | | | 1680 | | Sonata |
| 793 | Trio Sonata in F major | | | | 1680 | | Sonata |
| 794 | Trio Sonata in A minor | | | | 1680 | | Sonata |
| 795 | Trio Sonata in C major | | | | 1680 | | Sonata |
| 796 | Trio Sonata in E minor | | | | 1680 | | Sonata |
| 797 | Trio Sonata in G major Z797 | | | | 1680 | | Sonata |
| 798 | Trio Sonata in C minor | | | | 1680 | | Sonata |
| 799 | Trio Sonata in A major | | | | 1680 | | Sonata |
| 800 | Trio Sonata in F minor | | | | 1680 | | Sonata |
| 801 | Trio Sonata in D major | | | | 1680 | | Sonata |
| 802 | Trio Sonata in B minor | | | | 1680 | | Sonata |
| 803 | Trio Sonata in E flat major | | | | 1680 | | Sonata |
| 804 | Trio Sonata in A minor Z804 | | | | 1680 | | Sonata |
| 805 | Trio Sonata in D minor Z805 | | | | 1680 | | Sonata |
| 806 | Trio Sonata in G minor Z806 | | | | 1680 | | Sonata |
| 807 | Trio Sonata in G minor Z807 | | | | 1680 | 8:00 | Sonata |
| 808 | Trio Sonata in C major Z808 | | | | 1680 | | Sonata |
| 809 | Trio Sonata in G minor Z809 | | | | 1680 | | Sonata |
| 810 | Trio sonata no. 9 in F major 'Golden sonata' | For 2 violins, bass violin, bc. | F+ | | 1680 | 7:00 | Sonata |
| 811 | Trio Sonata in D major Z811 | | | | 1680 | | Sonata |
| 850 | Sonata in D major | | | | 1694 | | Sonata |
| 860a | Funeral music for Queen Mary: march | | | | 1695 | 18:00 | |
| 860b | Funeral music for Queen Mary: canzona | | | | | | |
| | Two in One upon a Ground | | | cha | | 3:30 | |
| D171 | A Poor blind woman | | | | | | Song |
| D172 | When the cock begins to crow | | | | | | Song |
| D201 | When night her purple veil had softly spread | | | | | | |
| D221 | Keyboard Ground in C minor | | | | | | |
| D222 | Keyboard Ground in D minor | | | | | | |
| D4 | O God, they that love thy name | | | | | | Anthem |
| N66 | If the Lord himself | | | | | | Anthem |
| N68 | Praise the Lord, ye servants | | | | | | Anthem |
| N773 | Keyboard Prelude in G minor/D minor | | | | | | |
| S69 | Sweet tyranness, I now resign | | | | 1677 | | |
| S70 | Sweet tyranness, I now resign (solo) | | | | 1678 | | |
| T675 | Air in D minor ZT675 | | | | | | |
| T676 | Air in D minor ZT76 | | | | | | |
| T677 | Canary in B flat major | | | | | | |
| T678 | Trumpet Tune in C major | | | | 1696 | | |
| T680 | Chaconne in G minor | | | | 1696 | | Chaconne |
| T681 | Ground in C minor | | | | | | |
| T682 | A New Ground in E minor | | | | 1687 | | |
| T683 | Hornpipe in B flat major | | | | | | Dances |
| T684 | Hornpipe in D minor | | | | | | Dances |
| T685 | Hornpipe in E minor | | | | | | Dances |
| T686 | Jig in G minor | | | | 1696 | | |
| T687 | March in C major | | | | 1696 | | March |
| T688 | Minuet in D minor ZT688 | | | | 1687 | | Menuet |
| T689 | Minuet in D minor ZT689 | | | | 1687 | | |
| T690 | Overture in C minor | | | | | | Overture |
| T691 | Overture in D major ZT691 | | | | | | Overture |
| T692 | Overture in D major ZT692 | | | | | | Overture |
| T693:1 | Overture in G minor ZT693:1 | | | | | | Overture |
| T693:2 | Air in G minor ZT693:2 | | | | | | |
| T694 | Song Tune in C major ZT694 | | | | 1687 | | Song |
| T695 | Song Tune in C major ZT695 | | | | 1687 | | Song |
| T696:1 | Air in D minor ZT696:1 | | | | | | |
| T696:2 | Air in D minor ZT696:2 | | | | | | |
| T697 | Trumpet Tune in C major ZT697 | | | | 1696 | | |
| T698 | Trumpet Tune in C major ZT698 | | | | 1696 | | |
| Z230:1 | Te Deum Laudamus in B flat major | Morning Service | | | 1681 | | Mass |
| Z230:10 | Deus misereator in B flat major | Evening Service | | | | | Mass |
| Z230:2 | Benedictus in B flat major | Morning Service | | | 1681 | | Mass |
| Z230:3 | Benedicite Omnia Opera in B flat major | Morning Service | | | 1681 | | Mass |
| Z230:4 | Jubilate Deo in in B flat major | Morning Service | | | 1681 | | Mass |
| Z230:5 | Kyrie Eleison in B flat major | Communion Service | | | | | Mass |
| Z230:6 | Nicene Creed in B flat major | Communion Service | | | | | Mass |
| Z230:7 | Magnificat in B flat major | Evening Service | | | | | Magnificat |
| Z230:8 | Nunc dimittis in B flat major | Evening Service | | | | | Mass |
| Z230:9 | Cantate Domino in B flat major | Evening Service | | | | | Mass |
