Piano concerto No. 3 in C minor

The Piano Concerto No. 3 in C minor, Op. 37, was composed by Ludwig van Beethoven in 1800 and was first performed on 5 April 1803, with the composer as soloist. During that same performance, the Second Symphony and the oratorio Christ on the Mount of Olives were also debuted.^[1] The composition was dedicated to Prince Louis Ferdinand of Prussia.

The concerto is scored for 2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, 2 horns in E-flat, 2 trumpet in C, timpani, strings and piano soloist.

Structure

As is standard for Classical/Romantic-era concertos, the work is in three movements:

• I. Allegro con brio
• II. Largo
• III. Rondo. Allegro

I. Allegro con brio

This movement is known to make forceful use of the theme (direct and indirect) throughout.

Orchestral Exposition

In the orchestral exposition, the theme is introduced by the strings, and used throughout the movement. It is developed several times. In the third section (second subject), the clarinet introduces the second main theme, which is in the relative major key, E flat major.

Second exposition

The piano enters with an ascending scale motif. The structure of the exposition in the piano solo is similar to that of the orchestral exposition.

Development

The piano enters, playing similar scales used in the beginning of the second exposition, this time in D major rather than c minor. The music is generally quiet.

Recapitulation

The orchestra restates the theme in fortissimo, with the wind instruments responding by building up a minor 9th chord as in the exposition. For the return of the second subject, Beethoven modulates to the tonic major, C major. A dark transition to the cadenza occurs, immediately switching from C Major to C Minor.

Cadenza

Beethoven wrote one cadenza for this movement. The cadenza Beethoven wrote is at times stormy and ends on a series of trills that calm down to pianissimo.

Coda

Beethoven subverts the expectation of a return to the tonic at the end of the cadenza by prolonging the final trill and eventually arriving on a dominant seventh. The piano plays a series of arpeggios before the music settles into the home key of C minor. Then the music intensifies before a full tutti occurs, followed by the piano playing descending arpeggios, the ascending scale from the second exposition, and finally a resolute ending on C.

II. Largo

The second movement, which is in E major, opens with the solo piano. The opening is marked with detailed pedalling instructions.

III. Rondo - Allegro

The finale is in a sonata-rondo form. The movement begins in C minor with an agitated theme played only by the piano. The movement ends with a C major coda marked presto.

First Performance

The score was incomplete at its first performance. Beethoven's friend, Ignaz von Seyfried, who turned the pages of the music for him that night, later wrote:^[1]

I saw almost nothing but empty pages; at the most, on one page or another a few Egyptian hieroglyphs wholly unintelligible to me were scribbled down to serve as clues for him; for he played nearly all the solo part from memory since, as was so often the case, he had not had time to set it all down on paper.

Cadenzas by other composers

Composers who have written alternative cadenzas for the first movement include Harold Bauer, Amy Beach, Johannes Brahms, Carl Czerny, Gabriel Fauré, Adolf von Henselt, Mischa Levitzki, Franz Liszt, Freidrich Mockwitz(Lost), Ignaz Moscheles, Carl Reinecke, Ferdinand Ries(Lost), Clara Schumann, Gino Tagliapietra and Charles-Valentin Alkan.

Recordings

Many pianists have made recordings of this concerto including Arthur Rubinstein, Claudio Arrau, Krystian Zimerman, Emil Gilels, Radu Lupu, Glenn Gould, Maurizio Pollini, Wilhelm Kempff, Alfred Brendel, Mitsuko Uchida, Martha Argerich, Sviatoslav Richter and Paul Lewis.

References

External links

• Piano Concerto No. 3: Free scores at the International Music Score Library Project.
• Musopen.com Piano Concerto No. 3 sheet music
• Aperçu of Apotheosis, Program Notes on the Third Piano Concerto by Ron Drummond
• Link to Midi file version of the Cadenza discovered in Melk Abbey in 1989