Ernani

Giuseppe Verdi
Operas Oberto (1839) Un giorno di regno (1840) Nabucco (1842) I Lombardi alla prima crociata (1843) Ernani (1844) I due Foscari (1844) Giovanna d'Arco (1845) Alzira (1845) Attila (1846) Macbeth (1847) I masnadieri (1847) Jérusalem (1847) Il corsaro (1848) La battaglia di Legnano (1849) Luisa Miller (1849) Stiffelio (1850) Rigoletto (1851) Il trovatore (1853) La traviata (1853) Les vêpres siciliennes (1855) Simon Boccanegra (1857) Aroldo (1857) Un ballo in maschera (1859) La forza del destino (1862) Don Carlos (1867) Aida (1871) Otello (1887) Falstaff (1893)
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Ernani is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play Hernani by Victor Hugo. The first production took place at La Fenice Theatre, Venice on March 9, 1844. In 1904 it became the first opera to be recorded complete.

Performance history

The UK premiere took place at Her Majesty's Theatre in London on 8 March 1845 followed on 13 April 1847 by its US premiere in New York.^[1].

Today, Ernani is a seldom-heard work, although it appeared on the roster of the Metropolitan Opera as early as 1903 and has been given eighty-eight performances up to the March/April stagings in 2008. It regained some popularity from the early-1980s onward and was revived in a series of new productions at the San Francisco Opera (1982), Lyric Opera of Chicago (1984), at La Scala (1984) and the Met (1985), the 2008 stagings being the first since that time. It was given as part of the 1997 season of the Sarasota Opera's "Verdi Cycle" which plans to present all of Verdi's operas before the bi-centenary of his birth in 2013. The Teatro Regio di Parma, another company with a similar aim, gave it in October 2005.^[2].

Recently, it was given in May 2008 by Opera Boston, a company which presents unusual or rarely staged works, and the Melbourne City Opera presented it in late March and early April 2009. It also is part of the Lyric Opera of Chicago's 2009/10 season in October/November 2009.

Roles

Synopsis

Time: 1519.

Place: Aragon, Aachen, and Zaragoza.

Act 1

Mountains of Aragon

The bandits demand the reason for Ernani's gloom. (Chorus: Eviva! Beviam! Beviam! / "To you we drink" and Ernani pensoso! / "Ernani, so gloomy? Why, oh strong one, does care sit on your brow?"). Ernani replies (Recitative: "Thanks, dear friends"; Cavatina: Come rugiada al cespite / "As the flower turns to the sun") that he loves Elvira, who is about to be married against her will to old Gomez de Silva (O tu che l'alma adora). He asks the bandits to abduct her.

In Elvira's chamber

Elvira worries about her upcoming marriage (Scene: "Now sinks the sun and Silva does not return"; Cavatina: Ernani, Ernani involami / "Ernani, Ernani, save me") as servants deliver Silva's wedding presents to her. She reaffirms her love for Ernani (Tutto sprezzo che d'Ernani / "I scorn everything which does not speak to my heart of Ernani"). King Carlos, disguised as a peasant, enters, but Elvira recognizes him and rejects the love that he offers her. As he attempts to use force, she grasps a dagger, but Ernani suddenly arrives and stops Carlos (Trio: "A friend comes quickly to your aid"). Carlos recognizes Ernani as the leader of the bandits. Ernani replies that Carlos robbed him of his lands and forced him into a life of banditry. As he invites Carlos to fight, Silva appears and sees Ernani (Infelice!..e tu credevi..che mai vegg'io! / "Dreadful sight"; Silva's cavatina: "Unhappy man! You thought this lovely...was yours"). Ernani offers to fight them both when Riccardo approaches and recognises the king. Ernani whispers to Elvira to prepare to flee.

Act 2

A hall in Silva's palace

Ernani enters disguised as a pilgrim. He asks for shelter, which Silva grants him, and then learns from Silva that he about to marry Elvira who believes Ernani to be dead. Ernani reveals his true identity to Elvira and she tells him that she plans to kill herself at the altar (Duet: Ah, mourir potessi adesso / "Ah, if I could die now"). unfortunately, Silva walks in at that moment, discoveres the pair, but agrees to keep his word to Ernani and protect him from the king, for which Ernani will owe him a perpetual debt. (Trio: No, vendetta piu tremenda / "No, I want to keep a greater revenge"). Carlos arrives and wishes to know why the castle is barred. Silva refuses to surrender Ernani (Carlos' aria: Lo vedremo, veglio audace / "We shall see, you bold old man") while Don Carlos' men cannot find Ernani's hiding place. Silva keeps his word, even when the king secures Elvira as a hostage. Silva releases Ernani, and then challenges him to a duel. Ernani refuses to fight with his saviour, but unites with Silva in his plans to free Elvira from the king. Ernani swears to appear at the summons of Silva, wherever he may be at that time (Odi il voto o grande Iddio / "Oh God, hear the vow") and the act ends with Ernani's aria of vengeance (Sprezzo la vita ne più m'alletta / "Life means nothing to me, only hope of vengeance").

Act 3

Shrine of Charles at Aachen.

In the burial vault of Charles the Great at Aachen

Carlos visits the grave of the emperor (Cavatina: Oh, de'verd'anni miei/ "Oh, the dreams and deceits of my youth"). Hiding behind the vault, he overhears a gathering of conspirators including Silva and Ernani. Ernani swears to murder Carlos. The conspiracy is foiled when Carlos's attendants enter and surprise the conspirators. The king commands that all the traitorous noblemen be executed. Ernani steps forward, declaring that thus he must die too; he is not the bandit Ernani, but Don Juan of Aragon, whose lands were taken from him. Elvira begs mercy for her lover, and Carlos, whose mood has changed, forgives them both and places Elvira's hand in that of Ernani.

Act 4

Ernani's Castle

Elvira and Ernani have just been married, when, in consternation, Ernani hears a bugle call. Silva arrives and silently hands Ernani a dagger. Ernani asks for time to "sip from the cup of love" (Ascolta, ascolta un detto ancor/ "Listen, just one word...") but, cursed by Silva as coward, Ernani keeps his oath and stabs himself in the heart. (Trio with Silva: E' vano, o donna, il piangere, e vano / "Your weeping is in vain, woman").

Recordings

The first complete recording of an opera was the 1904 recording of Ernani, on 40 single-sided discs, by HMV in England.^[4] Later recordings include:

Notes

1. ^ Holden, Amanda, ed., The Penguin Opera Guide, New York: Penguin Puttnam, Inc, 2001, p.980
2. ^ [1] Parma's 2005 "Festival Verdi"
3. ^ List of singers taken from Budden, Julian: The Operas of Verdi (Cassell), vol 1, p. 138.
4. ^ Steven Schoenherr, Recording Technology History
5. ^ Recordings on operadis-opera-discography.org.uk

References

Plot taken from The Opera Goer's Complete Guide by Leo Melitz, 1921 version.

• Creative Commons MP3 Recording

External links

• Libretto
• Modern English translation of Victor Hugo's Hernani, the inspiration for Ernani