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In music, a simultaneity is more than one complete musical texture occurring at the same time, rather than in succession. This first appeared in the music of Charles Ives, and is common in the music of Conlon Nancarrow and others. A pitch simultaneity is more than one pitch or pitch class all of which occur at the same time, or simultaneously. Simultaneity is a more general term than chord: most chord progressions or harmonic progressions are then simultaneity successions, though not all simultaneity successions are harmonic progressions and not all simultaneities are chords. See alsoFurther reading
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Webber, A.L.
The Phantom of the Opera
Heather Marie Moats
Chopin, F.
Nocturnes Op. 9 (pour Madame Pleyel)
Tristan Hudson
Chopin, F.
2 Nocturnes Op. 27
Monica Alianello
Beethoven, L. van
Piano Sonata no. 31 in A flat major
Friedrich Gulda
Chopin, F.
Nocturnes Op. 9 (pour Madame Pleyel)
Tristan Hudson
Bach, J.S.
Sonata for viola and harpsichord no. 2 in D
Lincoln Center Chamber Music Society